{"id":20907,"date":"2011-01-26T09:20:28","date_gmt":"2011-01-26T08:20:28","guid":{"rendered":"http:\/\/simulanten.blogsport.de\/2011\/01\/26\/gendersalon-in-der-glocke-muenchen\/"},"modified":"2011-01-31T01:58:47","modified_gmt":"2011-01-31T00:58:47","slug":"gendersalon-in-der-glocke-munchen","status":"publish","type":"post","link":"https:\/\/meta.copyriot.com\/2011\/01\/gendersalon-in-der-glocke-munchen\/","title":{"rendered":"Gendersalon in der Glocke M\u00fcnchen"},"content":{"rendered":"\n<p><img decoding=\"async\" src=\"http:\/\/simulanten.blogsport.de\/images\/ksnp.jpg\" alt=\"\" \/> <\/p>\n<p>Ihr seid herzlich zum zweiten \u201aGender Salon\u2018, veranstaltet durch den<br \/>\nLehrstuhl Prof. Villa eingeladen. Zu Gast ist diesmal die Kuratorin<br \/>\nBettina Knaup (Berlin), die einen Vortrag zum Thema<\/p>\n<p>\u201eStrategien der Un\/Sichtbarkeit in feministisch-queerer Performancekunst\u201c<\/p>\n<p>h\u00e4lt.<\/p>\n<p>Anhand aktueller kuratorischer Projekte wie \u201ere.act.feminism \u00ad<br \/>\nperformancekunst der 1960er und 70er Jahre heute\u201c wird Bettina Knaup<br \/>\nfeministisch queere Perfor-mancek\u00fcnstlerInnen verschiedener Generationen<br \/>\nvorstellen, die Performancekunst als Laboratorium f\u00fcr neue Formen<br \/>\n(kollektiven) Handelns und gesellschaftlicher Praxis begreifen.<br \/>\nAnschlie\u00dfend gibt es, wie immer, die M\u00f6glichkeit zur Diskussion.<\/p>\n<p>Der Gender Salon findet am Mittwoch, den 26.Januar 2011 um 20h in der<br \/>\nGlocken-bachwerkstatt (Blumenstr. 7, 80331 M\u00fcnchen) statt.<\/p>\n<p>Eintritt 3\u20ac<\/p>\n<p>Weitere Informationen findet Ihr <a href=\"http:\/\/www.gender.soziologie.uni-muenchen.de\/gender-salon2\/index.html\">hier:<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\n<p>Ihr seid herzlich zum zweiten \u201aGender Salon\u2018, veranstaltet durch den<br \/>\nLehrstuhl Prof. Villa eingeladen. Zu Gast ist diesmal die Kuratorin<br \/>\nBettina Knaup (Berlin), die einen Vortrag zum Thema<\/p>\n<p>\u201eStrategien der Un\/Sichtbarkeit in feministisch-queerer Performancekunst\u201c<\/p>\n<p>h\u00e4lt.<\/p>\n<p>Anhand aktueller kuratorischer Projekte wie \u201ere.act.feminism \u00ad<br \/>\nperformancekunst der 1960er und 70er Jahre heute\u201c wird Bettina Knaup<br \/>\nfeministisch queere Perfor-mancek\u00fcnstlerInnen verschiedener Generationen<br \/>\nvorstellen, die Performancekunst als Laboratorium f\u00fcr neue Formen<br \/>\n(kollektiven) Handelns und gesellschaftlicher Praxis begreifen.<br \/>\nAnschlie\u00dfend gibt es, wie immer, die M\u00f6glichkeit zur Diskussion.<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[487,5,1],"tags":[1823,677],"class_list":["post-20907","post","type-post","status-publish","format-standard","hentry","category-rhizom","category-spectacle","category-syndicated","tag-dates","tag-queer"],"_links":{"self":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/20907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/comments?post=20907"}],"version-history":[{"count":1,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/20907\/revisions"}],"predecessor-version":[{"id":20949,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/20907\/revisions\/20949"}],"wp:attachment":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/media?parent=20907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/categories?post=20907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/tags?post=20907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}