{"id":27185,"date":"2012-12-16T23:55:53","date_gmt":"2012-12-16T22:55:53","guid":{"rendered":"http:\/\/agqueerstudies.de\/?p=2292"},"modified":"2012-12-16T23:55:53","modified_gmt":"2012-12-16T22:55:53","slug":"podcast-der-lesung-the-little-book-of-big-visions","status":"publish","type":"post","link":"https:\/\/meta.copyriot.com\/2012\/12\/podcast-der-lesung-the-little-book-of-big-visions\/","title":{"rendered":"Podcast der Lesung \u201cThe Little Book of Big Visions\u201d"},"content":{"rendered":"

\"LogoMit etwas Verz\u00f6gerung seit dem letzten Podcast pr\u00e4sentieren wir euch heute den Mitschnitt der Lesung “The Little Book of Big Visions: How to Be an Artist and Revolutionize the World”. Zu Gast waren Sharon Dodua Otoo<\/a>, eine der Herausgeberinnen des bei edition assemblange<\/a> erschienen Bandes, der Spoken-Word-K\u00fcnstler Philipp Kaboo Koepsell<\/a> (beide Berlin) und Misa Dayson<\/a>, Doktorandin in Anthropologin an der University of California in Los Angeles. Im Rahmen der Lesung am 1. November 2012 f\u00fchrte Datoo in den gerade erschienen Band und die “Witnessed<\/a>” ein, Dayson las einen Ausschnitt aus ihrem Artikel “Imagine Us There. Visions of Radical.Art.People.Spaces” und Koebsell trug Teile aus seiner 2010 bei Unrast<\/a> erschienenen Textsammlung “Die Akte James Knopf” vor. <\/p>\n

\nDownload<\/a> (mp3 43,8 MB 64 Minuten)
\n\"Creative<\/a>
\nDieser Werk bzw. Inhalt ist unter einer Creative Commons-Lizenz<\/a> lizenziert.<\/small><\/p>\n

\n

German theatres still have almost exclusively white ensembles and AfroGerman visual artists continue to struggle for recognition free of labels like \u201cAfrican\u201d or \u201cmigrant\u201d \u2013 even in 2012. \u201cThe Little Book of Big Visions: How to Be an Artist and Revolutionize the World,\u201d edited by Sandrine Micoss\u00e9-Aikins and Sharon Dodua Otoo, discusses the current situation of Black artists in Germany and presents their visions for equality in text and image form. This results in an innovative work engaging in a discourse reaching far beyond concepts of \u201cintegration\u201d or \u201cmigration\u201d \u2013 or even \u201crace\u201d or \u201cequality\u201d themselves. This anthology is aimed primarily at Black cultural producers living and working in Germany, as well as those who reside in English-speaking contexts throughout the diaspora. However, this book is also aimed at everyone who has an interest in revolutionizing the contemporary art scene in Germany and ensuring that it \ufb01nally begins to be truly re\ufb02ective of its actual and future populations.<\/p>\n

Schwarze K\u00fcnstler_innen in Deutschland be\ufb01nden sich \u2013 notwendigerweise \u2013 in einer Position, in der double consciousness, Subversivit\u00e4t und Widerstand \u2013 sowohl implizit als auch explizit \u2013 zu wichtigen Strategien werden, die es erlauben, in diesem \u00fcberwiegend wei\u00dfen Umfeld \u00fcberleben zu k\u00f6nnen. The Little Book of Big Visions. How to Be an Artist and Revolutionize the World, die erste Publikation der englischsprachigen Reihe Witnessed, beantwortet die Fragen, wie wahrlich egalit\u00e4re Gemeinschaften und Gesellschaften aussehen k\u00f6nnten und welche Rolle Schwarze Kulturschaffende in der Verwirklichung solcher Visionen spielen. Wie w\u00fcrden Schwarze k\u00fcnstlerische Praxen innerhalb solch vision\u00e4rer Gemeinwesen aussehen? Was be\ufb01ndet sich jenseits von Reaktion und Widerstand? Dieses Buch m\u00f6chte einen Beitrag zu einem in Deutschland unterrepr\u00e4sentierten Diskurs leisten, indem es eine Diskussion der aktuellen Situation Schwarzer Kulturschaffender in Deutschland erm\u00f6glicht und einen Fokus darauf legt, wie zeitgen\u00f6ssische Schwarze Kulturschaffende in Deutschland Visionen von Chancengleichheit schaffen und kommunizieren.<\/p>\n

Der Band ist die erste Ver\u00f6ffentlichung der Reihe Witnessed<\/a> und ist erschienen bei Edition Assemblage<\/a>.<\/p>\n

Mit Beitr\u00e4gen von:<\/strong>
\nJamika Ajalon, Bibiana Arena, Mo Asumang, Sonia Elizabeth Barrett, Misa Dayson, Philipp Khabo Koepsell, Gyavira Lasana, Stephen Lawson, Sandrine Micoss\u00e9-Aikins, Caille Millner, Yvette Mutumba, Sharon Dodua Otoo und
\nAlexander G. Weheliye.<\/p>\n

Sandrine Micoss\u00e9-Aikins & Sharon Dodua Otoo<\/strong>
\nSandrine Micoss\u00e9-Aikins ist Malerin, Konzeptk\u00fcnstlerin und Kuratorin und lebt in Berlin. Sandrine Micosse-Aikins war 2008-2010 Projektleiterin der Veranstaltungsreihe Re\/Positionierung \u2013 Critical Whiteness\/Perspectives of Color und Co-Kuratorin des Workshops sowie der Ausstellung pr\u00e9t-a-partager.
\nSharon Dodua Otoo ist Schwarze Britin \u2013 Mutter, Aktivistin, Autorin und Herausgeberin der englischsprachigen Buchreihe \u201eWitnessed\u201c in der edition assemblage. \u201ethe things i am thinking while smiling politely\u201c, ihre erste Novelle, erschien k\u00fcrzlich in der edition assemblage (2012). Sharon lebt, lacht und arbeitet in Berlin.<\/p>\n<\/blockquote>\n

\"flattr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mit etwas Verzögerung seit dem letzten Podcast präsentieren wir euch heute den Mitschnitt der Lesung “The Little Book of Big Visions: How to Be an Artist and Revolutionize the World”. Zu Gast waren Sharon Dodua Otoo, eine der Herausgeberinnen des bei edition assemblange erschienen Bandes, der Spoken-Word-Künstler Philipp Kaboo Koepsell (beide Berlin) und Misa Dayson, […]<\/p>\n","protected":false},"author":867,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[704,698],"class_list":["post-27185","post","type-post","status-publish","format-standard","hentry","category-syndicated","tag-borders","tag-pops"],"_links":{"self":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/27185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/users\/867"}],"replies":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/comments?post=27185"}],"version-history":[{"count":2,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/27185\/revisions"}],"predecessor-version":[{"id":27590,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/27185\/revisions\/27590"}],"wp:attachment":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/media?parent=27185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/categories?post=27185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/tags?post=27185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}