{"id":28854,"date":"2014-02-09T20:26:00","date_gmt":"2014-02-09T19:26:00","guid":{"rendered":"http:\/\/meta.copyriot.com\/?guid=3c2bb4b1a97c174f0f083364ff70a3b8"},"modified":"2014-02-09T20:26:00","modified_gmt":"2014-02-09T19:26:00","slug":"bacon-y-velazquez","status":"publish","type":"post","link":"https:\/\/meta.copyriot.com\/2014\/02\/bacon-y-velazquez\/","title":{"rendered":"Bacon y Vel\u00e1zquez"},"content":{"rendered":"<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\">Deleuze plantea dos formas de superar la figuraci\u00f3n:<\/span><\/div>\n<div class=\"MsoListParagraphCxSpFirst\" style=\"mso-list: l0 level1 lfo1; text-indent: -18.0pt;\"><span style=\"font-family: inherit; font-size: large;\">&nbsp;<\/span><span style=\"font-family: inherit; font-size: large; text-indent: -18pt;\">&nbsp;<\/span><br \/><span style=\"font-family: inherit; font-size: large; text-indent: -18pt;\">&nbsp; &nbsp; &nbsp; 1: Hacia la forma abstracta<\/span><\/div>\n<div class=\"MsoListParagraphCxSpLast\" style=\"mso-list: l0 level1 lfo1; text-indent: -18.0pt;\"><span style=\"font-family: inherit; font-size: large;\">&nbsp; &nbsp; &nbsp;&nbsp;<\/span><br \/><span style=\"font-family: inherit; font-size: large;\">&nbsp; &nbsp; &nbsp; 2:&nbsp;<!--[endif]-->Hacia la figura<\/span><\/div>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\"><br \/><\/span><span style=\"font-family: inherit; font-size: large;\">Para Bacon, la figura es lo contrario a la forma referida a un objeto que se supone representar (figuraci\u00f3n).<\/span><\/div>\n<p><\/p>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\">Deleuze dice que de todos los cl\u00e1sicos, Vel\u00e1zquez ha sido, sin duda, el m\u00e1s prudente, de una inmensa prudencia: hac\u00eda pasar sus extraordinarias audacias manteniendo firmemente las coordenadas de la representaci\u00f3n, asumiendo firmemente el rol de un documentalista&#8230; \u00bfQu\u00e9 hace que Bacon, en relaci\u00f3n con Vel\u00e1zquez, lo tome como maestro? &nbsp;\u00bfPor qu\u00e9 declara su duda y su descontento cuando piensa en su reanudaci\u00f3n del retrato de Inocencio X? De cierta manera, Bacon ha histerizado todos los elementos de Vel\u00e1zquez. Es necesario no s\u00f3lo comparar los dos Inocencio X, el de Vel\u00e1zquez y el de Bacon que lo transforma en papa que grita. Es necesario comparar el de Vel\u00e1zquez con el conjunto de la obra de los cuadros de Bacon.&nbsp;<\/span><br \/><span style=\"font-family: inherit; font-size: large;\"><br \/><\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/3.bp.blogspot.com\/-ldU3rfkJZn8\/UvfVOgw2XtI\/AAAAAAAAIcU\/jXHQyj-PIu4\/s1600\/498px-Retrato_del_Papa_Inocencio_X._Roma,_by_Diego_Vel%C3%A1zquez.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/-ldU3rfkJZn8\/UvfVOgw2XtI\/AAAAAAAAIcU\/jXHQyj-PIu4\/s1600\/498px-Retrato_del_Papa_Inocencio_X._Roma,_by_Diego_Vel%C3%A1zquez.jpg\" height=\"400\" width=\"332\" \/><\/a><\/div>\n<p><span style=\"font-family: inherit; font-size: large;\"><br \/><\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><\/div>\n<p><span style=\"font-family: inherit; font-size: large;\"><br \/><\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/4.bp.blogspot.com\/-tScaoKYEUls\/UvfUuKx9DeI\/AAAAAAAAIcE\/-BZj3CEWkmQ\/s1600\/Francis+Bacon.+Estudio+del+retrato+de+Papa+Inocencio+X+de+Vel%C3%A1zquez,+1953.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/4.bp.blogspot.com\/-tScaoKYEUls\/UvfUuKx9DeI\/AAAAAAAAIcE\/-BZj3CEWkmQ\/s1600\/Francis+Bacon.+Estudio+del+retrato+de+Papa+Inocencio+X+de+Vel%C3%A1zquez,+1953.jpg\" height=\"640\" width=\"472\" \/><\/a><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/3.bp.blogspot.com\/--pK0EEPMHCs\/UvfUlCM4mpI\/AAAAAAAAIb8\/0aho6RhGeLk\/s1600\/ESTUDIODEVELAZQUEZ1950_thumb12.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/--pK0EEPMHCs\/UvfUlCM4mpI\/AAAAAAAAIb8\/0aho6RhGeLk\/s1600\/ESTUDIODEVELAZQUEZ1950_thumb12.jpg\" height=\"640\" width=\"436\" \/><\/a><\/div>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\"><b><br \/><\/b><\/span><\/div>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\"><b>Francis Bacon:<\/b> S\u00f3lo la he visto en foto, nunca vi esta pintura de Vel\u00e1zquez en Roma que tanto me ha influenciado en su momento. El retrato del Papa&#8230;<o:p><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\"><b><span style=\"font-family: inherit; font-size: large;\">&#8211; \u00bfInocencio X?<o:p><\/o:p><\/span><\/b><\/div>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\">&#8211; S\u00ed, me pide que explique la pintura y no se puede. Un cuadro que ha impresionado a todos los pintores. Uno de los mejores del mundo.<o:p><\/o:p><\/span><\/div>\n<div class=\"MsoNormal\"><b><span style=\"font-family: inherit; font-size: large;\">&#8211; \u00bfEn aquel tiempo era ilustraci\u00f3n?<o:p><\/o:p><\/span><\/b><\/div>\n<p><\/p>\n<div class=\"MsoNormal\"><span style=\"font-family: inherit; font-size: large;\">&#8211; &#8230; en aquel tiempo no estaba el cine, ni la televisi\u00f3n, ni tan s\u00f3lo la fotograf\u00eda&#8230; Estaban forzados a hacer este tipo de ilustraci\u00f3n&#8230; Pero como la hizo tan magn\u00edfica&#8230; Uso las fotos como un diccionario, no para copiarlas, como hacen los hiperrealistas&#8230; simplemente como un diccionario, de referencia.<\/span><i><o:p><\/o:p><\/i><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div><span>Deleuze plantea dos formas de superar la figuraci&oacute;n:<\/span><\/div>\n<div><span>&nbsp;<\/span><span>&nbsp;<\/span><br \/><span>&nbsp; &nbsp; &nbsp; 1: Hacia la forma abstracta<\/span><\/div>\n<div><span>&nbsp; &nbsp; &nbsp;&nbsp;<\/span><br \/><span>&nbsp; &nbsp; &nbsp; 2:&nbsp;<!--[endif]-->Hacia la figura<\/span><\/div>\n<div><span><br \/><\/span><span>Para Bacon, la figura es lo contrario a la forma referida a un objeto que se supone representar (figuraci&oacute;n).<\/span><\/div>\n<p><\/p>\n<div><span>Deleuze dice que de todos los cl&aacute;sicos, Vel&aacute;zquez ha sido, sin duda, el m&aacute;s prudente, de una inmensa prudencia: hac&iacute;a pasar sus extraordinarias audacias manteniendo firmemente las coordenadas de la representaci&oacute;n, asumiendo firmemente el rol de un documentalista&#8230; &iquest;Qu&eacute; hace que Bacon, en relaci&oacute;n con Vel&aacute;zquez, lo tome como maestro? &nbsp;&iquest;Por qu&eacute; declara su duda y su descontento cuando piensa en su reanudaci&oacute;n del retrato de Inocencio X? De cierta manera, Bacon ha histerizado todos los elementos de Vel&aacute;zquez. Es necesario no s&oacute;lo comparar los dos Inocencio X, el de Vel&aacute;zquez y el de Bacon que lo transforma en papa que grita. Es necesario comparar el de Vel&aacute;zquez con el conjunto de la obra de los cuadros de Bacon.&nbsp;<\/span><br \/><span><br \/><\/span><\/p>\n<div><a href=\"http:\/\/3.bp.blogspot.com\/-ldU3rfkJZn8\/UvfVOgw2XtI\/AAAAAAAAIcU\/jXHQyj-PIu4\/s1600\/498px-Retrato_del_Papa_Inocencio_X._Roma,_by_Diego_Vel%C3%A1zquez.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/-ldU3rfkJZn8\/UvfVOgw2XtI\/AAAAAAAAIcU\/jXHQyj-PIu4\/s1600\/498px-Retrato_del_Papa_Inocencio_X._Roma,_by_Diego_Vel%C3%A1zquez.jpg\" height=\"400\" width=\"332\"><\/a><\/div>\n<p><span><br \/><\/span><\/p>\n<div><\/div>\n<p><span><br \/><\/span><\/p>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/-tScaoKYEUls\/UvfUuKx9DeI\/AAAAAAAAIcE\/-BZj3CEWkmQ\/s1600\/Francis+Bacon.+Estudio+del+retrato+de+Papa+Inocencio+X+de+Vel%C3%A1zquez,+1953.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/4.bp.blogspot.com\/-tScaoKYEUls\/UvfUuKx9DeI\/AAAAAAAAIcE\/-BZj3CEWkmQ\/s1600\/Francis+Bacon.+Estudio+del+retrato+de+Papa+Inocencio+X+de+Vel%C3%A1zquez,+1953.jpg\" height=\"640\" width=\"472\"><\/a><\/div>\n<div><\/div>\n<div><\/div>\n<div><a href=\"http:\/\/3.bp.blogspot.com\/--pK0EEPMHCs\/UvfUlCM4mpI\/AAAAAAAAIb8\/0aho6RhGeLk\/s1600\/ESTUDIODEVELAZQUEZ1950_thumb12.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/3.bp.blogspot.com\/--pK0EEPMHCs\/UvfUlCM4mpI\/AAAAAAAAIb8\/0aho6RhGeLk\/s1600\/ESTUDIODEVELAZQUEZ1950_thumb12.jpg\" height=\"640\" width=\"436\"><\/a><\/div>\n<div><span><b><br \/><\/b><\/span><\/div>\n<div><span><b>Francis Bacon:<\/b> S&oacute;lo la he visto en foto, nunca vi esta pintura de Vel&aacute;zquez en Roma que tanto me ha influenciado en su momento. El retrato del Papa&#8230;<\/p>\n<p><\/span><\/div>\n<div><b><span>&#8211; &iquest;Inocencio X?<\/p>\n<p><\/span><\/b><\/div>\n<div><span>&#8211; S&iacute;, me pide que explique la pintura y no se puede. Un cuadro que ha impresionado a todos los pintores. Uno de los mejores del mundo.<\/p>\n<p><\/span><\/div>\n<div><b><span>&#8211; &iquest;En aquel tiempo era ilustraci&oacute;n?<\/p>\n<p><\/span><\/b><\/div>\n<p><\/p>\n<div><span>&#8211; &#8230; en aquel tiempo no estaba el cine, ni la televisi&oacute;n, ni tan s&oacute;lo la fotograf&iacute;a&#8230; Estaban forzados a hacer este tipo de ilustraci&oacute;n&#8230; Pero como la hizo tan magn&iacute;fica&#8230; Uso las fotos como un diccionario, no para copiarlas, como hacen los hiperrealistas&#8230; simplemente como un diccionario, de referencia.<\/span><i><\/p>\n<p><\/i><\/div>\n<\/div>\n","protected":false},"author":881,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[487,12,1],"tags":[1047,712,695],"class_list":["post-28854","post","type-post","status-publish","format-standard","hentry","category-rhizom","category-signs","category-syndicated","tag-bacon","tag-biopolitics","tag-korper"],"_links":{"self":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/28854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/users\/881"}],"replies":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/comments?post=28854"}],"version-history":[{"count":0,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/28854\/revisions"}],"wp:attachment":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/media?parent=28854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/categories?post=28854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/tags?post=28854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}