{"id":28856,"date":"2014-01-09T15:22:00","date_gmt":"2014-01-09T14:22:00","guid":{"rendered":"http:\/\/meta.copyriot.com\/?guid=276810875db25e6b066af4f30d44d4bf"},"modified":"2014-01-09T15:22:00","modified_gmt":"2014-01-09T14:22:00","slug":"de-critica-y-clinica","status":"publish","type":"post","link":"https:\/\/meta.copyriot.com\/2014\/01\/de-critica-y-clinica\/","title":{"rendered":"De cr\u00edtica y cl\u00ednica"},"content":{"rendered":"<p><span style=\"font-family: inherit; font-size: large;\">Los libros hermosos est\u00e1n escritos<\/span><br \/><span style=\"font-family: inherit; font-size: large;\">en una especie de lengua extranjera.<\/span><br \/><span style=\"font-size: large;\"><\/span><br \/><b>PROUST, Contre Sainte\u2013Beueve<\/b><br \/><span style=\"font-size: large;\"><br \/><\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http:\/\/1.bp.blogspot.com\/-ZVwE_ArKDc8\/Us6wb6rP01I\/AAAAAAAAIbM\/gx7EgKdOaVI\/s1600\/g.d.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/-ZVwE_ArKDc8\/Us6wb6rP01I\/AAAAAAAAIbM\/gx7EgKdOaVI\/s1600\/g.d.jpg\" height=\"640\" width=\"443\" \/><\/a><\/div>\n<p><span style=\"font-size: large;\"><br \/><\/span><span style=\"font-size: large;\">El problema de escribir: el escritor, como dice Proust, inventa dentro de la lengua una lengua nueva, una lengua extranjera en cierta medida. Extrae nuevas estructuras gramaticales o sint\u00e1cticas. Saca a la lengua de los caminos trillados, la hace delirar. Pero asimismo el problema de escribir tampoco es separable de un problema de ver y de o\u00edr: en efecto, cuando dentro de la lengua se crea otra lengua, el lenguaje en su totalidad tiende hacia un l\u00edmite \u00abasint\u00e1ctico\u00bb, \u00abagramatical\u00bb, o que comunica con su propio exterior.<\/span><br \/><span style=\"font-size: large;\">El l\u00edmite no est\u00e1 fuera del lenguaje, sino que es su afuera: se compone de visiones y de audiciones no ling\u00fc\u00edsticas, pero que s\u00f3lo el lenguaje hace posibles. Tambi\u00e9n existen una pintura y una m\u00fasica propias de la<\/span><br \/><span style=\"font-size: large;\">escritura, como existen efectos de colores y de sonoridades que se elevan por encima de las palabras. Vemos y o\u00edmos a trav\u00e9s de las palabras, entre las palabras. Beckett hablaba de \u00abhoradar agujeros\u00bb en el lenguaje para ver u o\u00edr \u00ablo que se oculta detr\u00e1s\u00bb. De todos los escritores hay que decir: es un vidente, es un oyente, \u00abmal visto mal dicho\u00bb, es un colorista, un m\u00fasico.<\/span><br \/><b>Pr\u00f3logo de cr\u00edtica y cl\u00ednica<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p><span>Los libros hermosos est&aacute;n escritos<\/span><br \/><span>en una especie de lengua extranjera.<\/span><br \/><span><\/span><br \/><b>PROUST, Contre Sainte&ndash;Beueve<\/b><br \/><span><br \/><\/span><\/p>\n<div><a href=\"http:\/\/1.bp.blogspot.com\/-ZVwE_ArKDc8\/Us6wb6rP01I\/AAAAAAAAIbM\/gx7EgKdOaVI\/s1600\/g.d.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/-ZVwE_ArKDc8\/Us6wb6rP01I\/AAAAAAAAIbM\/gx7EgKdOaVI\/s1600\/g.d.jpg\" height=\"640\" width=\"443\"><\/a><\/div>\n<p><span><br \/><\/span><span>El problema de escribir: el escritor, como dice Proust, inventa dentro de la lengua una lengua nueva, una lengua extranjera en cierta medida. Extrae nuevas estructuras gramaticales o sint&aacute;cticas. Saca a la lengua de los caminos trillados, la hace delirar. Pero asimismo el problema de escribir tampoco es separable de un problema de ver y de o&iacute;r: en efecto, cuando dentro de la lengua se crea otra lengua, el lenguaje en su totalidad tiende hacia un l&iacute;mite &laquo;asint&aacute;ctico&raquo;, &laquo;agramatical&raquo;, o que comunica con su propio exterior.<\/span><br \/><span>El l&iacute;mite no est&aacute; fuera del lenguaje, sino que es su afuera: se compone de visiones y de audiciones no ling&uuml;&iacute;sticas, pero que s&oacute;lo el lenguaje hace posibles. Tambi&eacute;n existen una pintura y una m&uacute;sica propias de la<\/span><br \/><span>escritura, como existen efectos de colores y de sonoridades que se elevan por encima de las palabras. Vemos y o&iacute;mos a trav&eacute;s de las palabras, entre las palabras. Beckett hablaba de &laquo;horadar agujeros&raquo; en el lenguaje para ver u o&iacute;r &laquo;lo que se oculta detr&aacute;s&raquo;. De todos los escritores hay que decir: es un vidente, es un oyente, &laquo;mal visto mal dicho&raquo;, es un colorista, un m&uacute;sico.<\/span><br \/><b>Pr&oacute;logo de cr&iacute;tica y cl&iacute;nica<\/b><\/p>\n","protected":false},"author":881,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1817,487,12,1],"tags":[712,1045,695,1042],"class_list":["post-28856","post","type-post","status-publish","format-standard","hentry","category-auvidio","category-rhizom","category-signs","category-syndicated","tag-biopolitics","tag-filo-fabrica","tag-korper","tag-libros"],"_links":{"self":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/28856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/users\/881"}],"replies":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/comments?post=28856"}],"version-history":[{"count":0,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/28856\/revisions"}],"wp:attachment":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/media?parent=28856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/categories?post=28856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/tags?post=28856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}