{"id":40823,"date":"2016-01-20T13:16:19","date_gmt":"2016-01-20T12:16:19","guid":{"rendered":"http:\/\/agqueerstudies.de\/?p=3548"},"modified":"2016-01-20T13:16:19","modified_gmt":"2016-01-20T12:16:19","slug":"vortragseinladung-20-01-2016-how-to-combine-activism-and-filmmaking","status":"publish","type":"post","link":"https:\/\/meta.copyriot.com\/2016\/01\/vortragseinladung-20-01-2016-how-to-combine-activism-and-filmmaking\/","title":{"rendered":"Vortragseinladung 20-01-2016: how to combine activism and filmmaking?"},"content":{"rendered":"

Mittwoch 20.01.2016, 19:15, Raum 0079, Von Melle Park 5 (“Wiwi Bunker”)<\/p>\n

Zara Zandieh, Filmemacherin und Kamerafrau, Berlin
\n<\/strong>
\nDekonstruktion von Sehgewohnheiten in Erz\u00e4hlform und Bildersprache aus postkolonialer & queer-feministischer Perspektive \u2013 Or how to combine activism and filmmaking?<\/em><\/p>\n

\n

Filmemachen ist eine M\u00f6glichkeit Geschichten, Blickwinkel und Widerspr\u00fcchlichkeiten, die im Mainstream weniger Betrachtung finden, sowohl im Inhalt, als auch in der Form, einen Raum und Ausdruck zu geben.
\nIn Filmausschnitten von verschiedenen Filmschaffenden, die u.a. post-koloniale (queer-) feministische Perspektiven einnehmen, schauen wir uns unterschiedliche M\u00f6glichkeiten an und diskutieren auf welche Weise sie sich sowohl in ihrer narrativen Erz\u00e4hlform als auch in der Bildersprache vom Mainstream absetzen.<\/p>\n<\/blockquote>\n

Zara Zandieh ist unabh\u00e4ngige Filmemacherin & Kamerafrau und schloss 2006 ihren MA in Gender, Ethnic Studies und Sexualities an der University of East London ab.
\nIhre Arbeit ‘under-construction’ (2012) wurde auf Ausstellungen in verschiedenen L\u00e4ndern gezeigt, zuletzt im Haus der Kulturen der Welt im Februar 2015. Ihr Film ‘Khoshbakhti’ (Happiness) l\u00e4uft auf der DokLeipzig (Internationales Leipziger Festival f\u00fcr Dokumentar\u2013 und Animationsfilm) im Rahmen der offiziellen Auswahl des Deutschen Wettbewerbs kurzer Dokumentar- und Animationsfilm.
\nAndere Filme wie ‘Fragments of Ava’ (2012) und “Such a strange time it is, my dear\u2026” (2007) liefen auf diversen Filmfestivals weltweit. Sie war au\u00dferdem an der Organisation und k\u00fcnstlerischen Programmgestaltung des Filmfestivals SECOND TAKE – Gender and Society in Cinema in Kabul 2008 beteiligt.
\nDurch ihre Filme zieht sich eine poetische schlichte Erz\u00e4hlweise, die die Zuschauenden einl\u00e4dt, unvertraute Perspektiven einzunehmen.<\/p>\n

\"Flattr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mittwoch 20.01.2016, 19:15, Raum 0079, Von Melle Park 5 (“Wiwi Bunker”) Zara Zandieh, Filmemacherin und Kamerafrau, Berlin Dekonstruktion von Sehgewohnheiten in Erzählform und Bildersprache aus postkolonialer & queer-feministischer Perspektive – Or how to combine activism and filmmaking? Filmemachen ist eine Möglichkeit Geschichten, Blickwinkel und Widersprüchlichkeiten, die im Mainstream weniger Betrachtung finden, sowohl im Inhalt, als […]<\/p>\n","protected":false},"author":610,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[1823,1833,677,1834,1829],"class_list":["post-40823","post","type-post","status-publish","format-standard","hentry","category-syndicated","tag-dates","tag-filme","tag-queer","tag-subkultur","tag-termine"],"_links":{"self":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/40823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/users\/610"}],"replies":[{"embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/comments?post=40823"}],"version-history":[{"count":2,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/40823\/revisions"}],"predecessor-version":[{"id":42331,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/posts\/40823\/revisions\/42331"}],"wp:attachment":[{"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/media?parent=40823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/categories?post=40823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meta.copyriot.com\/wp-json\/wp\/v2\/tags?post=40823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}